Sussan Deyhim is an Iranian composer, vocalist, performance artist and activist. She is internationally known for creating a unique sonic and vocal language imbued with a sense of ritual and the unknown. She was part of the national ballet company in Iran from the age of thirteen and she traveled all across Iran studying with master folk musicians and dancers. In 1976, she joined The Bejart Ballet in Europe after receiving a scholarship to attend Bejart's performance art school Mudra where she was trained in many of the great world, dance, music and theater traditions as well as in classical ballet. Her music remains true to the spirit of her ancient heritage while pointing to the future with a very personal and poetic dramatic sensibility. In 1980, she moved to New York, embarking on a multifaceted career encompassing music, theatre, dance, media and film. She created/starred in ground breakin gmedia operas at La Mama in the 1980s including Azax/ Attra and The Ghost of Ibn Sabah.

Deyhim's wide-ranging collaborations with leading artists from across the spectrum of contemporary art have included Ornette Coleman, Bobby McFerrin, Peter Gabriel, Bill Laswell, Richard Horowitz, Rufus Wainwright, Marius De Vries, Hal Winer, Mickey Hart, Branford Marsalis, Jerry Garcia, Will Calhoun, Karsh Kale, Doug Wimbish, Keith LeBlanc, Skip McDonald, Jah Wobble, Talvin Singh, Adrian Sherwood and The Blue Man Group and with prominent female visual artists Shirin Neshat, Sophie Calle and Lita Albuquerque.